To him the back (of a painting) is more than a coincidental narrative; it probably even forms the plot of the story. Because Martha actually plays with space in all his works, you could call the work an example of this. But it is more. He is opening a discussion on painting as a genre and so relegating the current terminology – painting, sculpture, installation, etc. – to the past.
Author: Rob Perrée
(…) like in former Prospects, the triennial “directs its focus southward, placing greater emphasis on art and artists that engage the Global South, specifically from North America, Latin America, the Caribbean, Africa, and the European powers that colonized this region (…).