“………for the 59th edition of the event, Uganda made its first appearance. For a country that has been accused of having no art, this was an unprecedented. And for a country where the National Theatre was put up for sale by the unscrupulous of its putrescent government in favor of an investor erecting a shopping mall!
It’s difficult, if not impossible, to separate oneself from one’s roots. Ethiopia is a part of me as much as my Black identity is in the United States. My work is heavily focused on my identity to where I’ve grown up and where I currently live. I have hopes that my African background will, perhaps one day, lead to conversations about global Blackness. Being Black in other parts of the world isn’t the same as it is in North America – the struggles and challenges differ from place to place.
Rob Perrée was in New York and visited some interesting exhibitions. Here a report of his findings.
The Whitney Biennial, Faith Ringgold and Frédéric Bruly Bouabré.
Fotso is both deeply attuned to the human dependency on plants and concerned about the loss of biodiversity and indigenous knowledge in Cameroon
Working with technology offers too a medium for communication to audiences, particularly broader publics. Technology is a form of spectacle, a form of offering pleasure and excitement to audiences. Within the pleasure, critical ideas can be carried
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