I have connected previously with Phoebe’s work particularly when it has addressed notions of not-belonging, and women’s body as a mean of power, but I must admit, never to at such deep level. Extremely poetic and utterly relatable, Phoebe’s seminal exhibition has meant a place for solace and shared emotions of our most intimate selves.
Is the art critic an endangered species? Is he a mystical figure dubbed a critic? Is he white writing on blacks? Critic Athi Mongezeleli Joja is looking for answers.
John Baptist Ssekubulwa is among the fresh young minds on the Kampala art scene. A cluster of intelligent and ambitious fellows initiating conversations and stirring them, an ingredient that is new to the young art scene. He has just had his first solo show at Afriart gallery and this is why I had to hunt him down for a good old one on one.
Is black art just a trend? “By putting the power of profit, the power of the gaze and the power of art into the hands of black communities, society can take this to the next level. Coupled with help from allies of all backgrounds then, and perhaps only then, can we say that black art transforms beyond a trend and into a sustainable force.”
Emmanuel Iduma is a writer of fiction and non-fiction. Born and raised in Nigeria, he has contributed essays and stories to journals, magazines (Africanah.org among others), artists’ books, and exhibition catalogues. In 2017, he was associate curator of the Nigerian pavilion at the Venice Biennale.
He is the author, most recently, of A Stranger’s Pose. He also published the novel The Sound of Things to Come and Gambit: Newer African Writing.His writing style could be characterized as literary and personal non-fiction.
This article was first published on Africanah.org December 6, 2016.
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