Kudzanai-Violet Hwami (b. Zimbabwe 1993): new works
Ego in Red Socks, 2016.
Statement:
Through memory, I revisit places and spaces I encountered growing up in post-colonial Zimbabwe and utilize those memories by recreating a parallel universe that centers on a futuristic narrative of Zimbabwe. I play with the idea of an African utopia within my work, where space, place and borders do not exist; while also referencing established cultures and traditions. The black body plays the central character in my paintings, acting as the vehicle to express themes on sexuality, gender, spirituality, memory and childhood. Having lived in South-Africa, Zimbabwe and England; displacement and identity is a recurring theme in my work as I try to understand my Zimbabwean identity within the African Diaspora. The work could be read as autobiographical.
Guvhu, 2016.
I have developed a growing interest in artists such as Takashi Murakami, Yue Minjun and Kaws. I find myself drawn to the childlike satirical characters in their work.
Untitled, 2016.
Most of the imagery that appear in my paintings are particularly influenced by the growing popularity of subcultures, e.g. Afro-Punk and Grunge culture in Kenya and South Africa. Through my paintings I hope to communicate my ideas and vision of the future for Zimbabwe and the rest of Africa.
My aim is to re-frame and construct an alternative perspective of the Zimbabwean body.(text Tyburn Gallery)
