One of the reasons why I felt enthralled by the artwork is because the artist has mastered capturing the viewer’s eyes by forming fragmented black individuals that unapologetically return the gaze to the spectator. The artist is aware that ‘when working with black bodies, it becomes immediately political’, and in that sense the artist endeavours to force the observer into a dialogue.
Author: Raquel Villar-Pérez
Enthusiast of 24-karat gold or not, what is undeniable is that Lina Iris Viktor’s work provides with food for thought; she graciously interweaves complex aesthetics with conceptual and political commitment.
Raquel Villar-Pérez on Lina Iris Viktor
Spiritual practices, linked to masquerade inspire much of my approach to making and thinking through my research. I think my work is very much a mash up, a mash with masquerade and afro-futurism.
Raquel Villar Pérez in conversation with Alberta Whittle
Celestial Meditations II, 2017
There are many aspects of Messouma Manlanbien’s work that attracted me and that I enjoyed when visiting the exhibition; probably the most obvious one is the focus on women as the central theme not only in the exhibition but in Marie-Claire’s work in general, and the prevailing stereotypes that many of us battle against on a daily basis, the acknowledgement and celebration of our foremothers teachings also moved me. I appreciated the artist’s attempt to contribute with her work to these striking debates.
Raquel Villar-Pérez on the work of Marie-Claire Messouma Manlanbien
I have connected previously with Phoebe’s work particularly when it has addressed notions of not-belonging, and women’s body as a mean of power, but I must admit, never to at such deep level. Extremely poetic and utterly relatable, Phoebe’s seminal exhibition has meant a place for solace and shared emotions of our most intimate selves.