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Arena for Contemporary African, African-American and Caribbean Art

Author: Themba Tsotsi

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Musa N. Nxumalo: Hashtags as Signpost of Power

MusaInstallation View

Nxumalo’s exhibition was an exercise in how the black male body seeks to find a form of redemption in a culture that is gluttonous with representation and its capability to take voice and power from its subject.

Themba Tsotsi on the work of Musa N. Nxumalo
Installation view We are running out of hashtags, SMAC Gallery, 2020

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Barthélémy Togue

TogueThembaBilongueBadLuck

Toguo is an artist concerned about organic connections in times when human relationships are characterised by what is frail. Instead of making the people of Douala modern day martyrs living in the context of advanced capitalism, he created works that resonate with the rest of Cameroonian society.

Themba Tsotsi writes on the work of Barthélémy Togue
Bilongue: bad luck, 2020. Read more »

Moshekwa Langa

LangaSwimming lesson after the rains 2018

Moshekwa Langa’s work can be characterised as ‘psycho geographical mapping’, an idea that incorporated the symbolic function of the short and small brushstrokes that comprises the pieces. It also emphasises the function of the atmospheric effect of the works

Themba Tsotsi on the work of the South African artist Moshekwa Langa
Swimming Lessons after the Rains, 2018

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Mischeck Masamvu

MasStudded forehead2018

Through inundating the canvas with paint, it will be demonstrated that Masamvu through the facility of the canvas has acquired a spiritual outlet for expressing not just his emotions, but also the means to represent the body in its dynamic and corporeal forms. The artist states that this exhibition was ‘’…celebration and … a dance’’.

Themba Tsotsi on the work of the Zimbabwean artist Mischeck Masamvu
Studded Forehead, 2018

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Nolan Oswald Dennis,

OswaldHomePage

Oswald Dennis’ work is usually characterised by intricate topographical images that discourse the impact of colonialism on the African continent. In the ‘Options’ exhibition the artist showed that he is concerned with the impact of colonialism on the existential and ontological space. Intricate works or drawings also characterise this show, but their relationship with text is characterised by words that denote prepositions, text that articulate a sense of relevance in the protracted post-colonial present.
(text on home page)

Themba Tsotsi on the work of the South African artist Nolan Oswald Dennis
Options, 2018

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