Nxumalo’s exhibition was an exercise in how the black male body seeks to find a form of redemption in a culture that is gluttonous with representation and its capability to take voice and power from its subject.
Author: Themba Tsotsi
Toguo is an artist concerned about organic connections in times when human relationships are characterised by what is frail. Instead of making the people of Douala modern day martyrs living in the context of advanced capitalism, he created works that resonate with the rest of Cameroonian society.
Themba Tsotsi writes on the work of Barthélémy Togue
Bilongue: bad luck, 2020. Read more »
Moshekwa Langa’s work can be characterised as ‘psycho geographical mapping’, an idea that incorporated the symbolic function of the short and small brushstrokes that comprises the pieces. It also emphasises the function of the atmospheric effect of the works
Themba Tsotsi on the work of the South African artist Moshekwa Langa
Swimming Lessons after the Rains, 2018
Through inundating the canvas with paint, it will be demonstrated that Masamvu through the facility of the canvas has acquired a spiritual outlet for expressing not just his emotions, but also the means to represent the body in its dynamic and corporeal forms. The artist states that this exhibition was ‘’…celebration and … a dance’’.
Themba Tsotsi on the work of the Zimbabwean artist Mischeck Masamvu
Studded Forehead, 2018
Oswald Dennis’ work is usually characterised by intricate topographical images that discourse the impact of colonialism on the African continent. In the ‘Options’ exhibition the artist showed that he is concerned with the impact of colonialism on the existential and ontological space. Intricate works or drawings also characterise this show, but their relationship with text is characterised by words that denote prepositions, text that articulate a sense of relevance in the protracted post-colonial present.
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