Mncedi Madolo’s work has so much room for growth and so much incredible potential to explore the mediums, subject matters, and materials in ways that will truly enrich his work. If one has time, please do visit his studio at Ellis House Art Building or search for his work online to make your own judgment.
Author: Athi Mongezeleli Joja
His work speaks to the present by utilizing the past and invoking the violence enacted by the church, the military, and even the scientific fields, all under the guise of civilization so as to conquer and plunder black and brown nations.
Athi Mongezeleli Joja on the drawings of Felix Shumba, born in Zimbabwe, living in Johannesburg
INDX – Non Human, fold, opp. 33, 40, 109, 2020
She makes use of what we could call ordinary materials such as wood, plastic glass, mirrors, record cases, and so on; as well as creatively abstract instances of black people inside bars, restaurants, shebeens, homes, and different kinds of interiorities, with great humor and play.
Athi Mongezeleli on the new works of Dada Khanyisa
precoital convos, 2019, all works courtesy Stevenson Gallery, SA.
A Black Aesthetic: A View of South African Artists (1970-1990) was an exhibition in the Standard Bank Gallery in Johannesburg. The presentation was curated by Dr Same Mdluli and was praised and criticized. Mdluli deceided to react on the critique she got. For Athi Mongezeleli Joja it was necessary to respond.
Nathaniel-Nat-Ntwayakgosi Mokgosi, The Poet
Is the art critic an endangered species? Is he a mystical figure dubbed a critic? Is he white writing on blacks? Critic Athi Mongezeleli Joja is looking for answers.