Anna Boghguian
Attack, 2017
About:
Boghiguian’s work was first shown in Catherine David’s Contemporary Arab Representations, beginning in 2003 in Rotterdam. Attracting much attention and acclaim, her drawings also stirred political debate and controversy, especially in her native Egypt.
Woven Winds, installation view, 2017.
Boghiguian was born in 1946, an Armenian in Cairo, yet never adopted the city as her only home, continuing to have a conflicting relationship with the city today. Living a nomadic life, the artist has constantly moved from city to city across the globe, from Egypt to Canada and India to France. Immersing herself in the sights and sounds of the city, as well as the literature, poetry and politics of its people, the artist nonetheless remained distant, an outsider in a busy metropolis. Her work offers a unique third person yet omniscient view of modern urban communities.
The Procession of Dionysus, 2015–16
Beginning of Populism, 2017.
Untitled, 2017.
Anna Boghiguian’s works are dense compositions. In them are often text, images, collected photographs and other documentary material closely interwoven. The intense colors and her spontaneous and expressive drawings are reminiscent of diary entries. They seem to visualize and record momentary experience and perception in its various facets.
Recent exhibitions include: Castello di Rivoli (2017); The Restless Earth, Triennale di Milano, Milano (2017); Carré d’Art, Musée d’art contemporain, Nimes (2016); Cities by the Rivers, SBC Gallery of Contemporary Art, Montreal (2015).(text ArtisMundi)