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Aaron Douglas
In February 2024, The Metropolitan Museum of Art will present the groundbreaking exhibition The Harlem Renaissance and Transatlantic Modernism. Through some 160 works, it will explore the comprehensive and far-reaching ways in which Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s–40s in New York City’s Harlem and Chicago’s South Side and nationwide in the early decades of the Great Migration when millions of African Americans began to move away from the segregated rural South. The first survey of the subject in New York City since 1987, the exhibition will establish the Harlem Renaissance as the first African American–led movement of international modern art and will situate Black artists and their radically new portrayals of the modern Black subject as central to our understanding of international modern art and modern life.
Aaron Douglas is one of the artists in this exhibition.
Aspiration, 1935, (collection National Gallery of Art
Augusta Savage: Renaissance Woman
In February 2024, The Metropolitan Museum of Art will present the groundbreaking exhibition The Harlem Renaissance and Transatlantic Modernism. Through some 160 works, it will explore the comprehensive and far-reaching ways in which Black artists portrayed everyday modern life in the new Black cities that took shape in the 1920s–40s in New York City’s Harlem and Chicago’s South Side and nationwide in the early decades of the Great Migration when millions of African Americans began to move away from the segregated rural South. The first survey of the subject in New York City since 1987, the exhibition will establish the Harlem Renaissance as the first African American–led movement of international modern art and will situate Black artists and their radically new portrayals of the modern Black subject as central to our understanding of international modern art and modern life.
