Bikoro’s visual practice is, in fact, an organic and consequential research of modes of remembering, recollecting, rewriting, rethinking and reshaping histories and temporalities. Each performative gesture, each written or spoken word, installation or moving image taking part into the artist’s polyhedral research, is just a segment of a dense apparatus of references and correspondences.
Chiara Cartuccia on Nathalie Mba Bikoro
Future Monuments: Re-inventing the Human Memorial, 2014, courtesy the artist