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In 1975, photographer Marion Kalter grabs her camera and immortalizes the very moment that would trigger the desire to write this text. The crime scene takes place in Paris in Beauford Delaney’s studio located in rue Vercingétorix, Delaney and Ted Joans standing next to each other. Both of them were painters, and Joans was also a Surrealist as well as a jazz musician and poet. When looking at this picture in the 21st century, it is almost impossible to guess the many threads and double visions related to painting and music, jazz and poetry. Unless you start digging more.
Karima Boudou digs into the relation between the African-American artists Beauford Delaney and Ted Joans
Beauford Delaney, James Baldwin, 1965, courtesy Michael Rosenfeld Gallery, New York
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