africanah.org

Arena for Contemporary African, African-American and Caribbean Art

Archive: articles

Addis and Khartoum Art Movements

africanahmul10

“On objectively reflecting the East African art scene, we can generally assume the Addis and Khartoum art movements were, among other events, two important artistic platforms, which helped shape the Ethiopian and Sudanese modern art. Both countries lived through hard times in which social and political calamities were not uncommon; in fact, there were several anomalies that dragged on for long affecting every citizen. And this is how, in addition to the standoff there, this setting has created the current Africa’s chronicles – including its visual culture.” Mulugeta Tafesse on the art scene in East Africa.

Read more »

Caribbean Art Dub: A Hauntology

AnnieMarcelPinas

The Caribbean itself can be seen as a series of dubbed spaces or dub mixes of the European countries they once were colonies or outposts of. Moving from island to island is like visiting a series of ghost towns where the distinctive English, Dutch, French and Spanish architecture is now repopulated, recomposed and remixed into Creole versions of European cultures.  Language isolates and separates Caribbean countries from each other but the common grammar of the Creoles and Patwas of the region unite them. Jamaican writer and critic Annie Paul writes about the Caribbean art dub.

  Read more »

Ivan Vladislavic: ‘Double Negative’

ivandoublenegative

The Nigerian writer Emmanuel Iduma talks about the novel ‘Double Negative’ of the South African writer Ivan Vladislavic. In that way he can analyze the difference between a novel and a photograph. “(…) a novel deals with the world in the form of a creative act of construction. Photographs deal with gaps in the known world. They seek out a balance between what is visible and what is not.”

Read more »

Where are we now?

SAMSUNG CAMERA PICTURES

‘Where are we now?’ is the ambitious, overall question of the fifth Marrakech Biennial. More than 40 artists, who are showing their work in more than 30 locations, had to give an answer. Although there was a lot of good art to be seen, Rob Perrée did not get an overall answer. In this fragmentary essay – like a collage – he talks about the most interesting works within the context of a city were history and modern times meet and sometimes clash.

Read more »

Cultural Caravan Brings Peace

taragalte 1_credit Peter Vlam

,Under this strong sign of the ‚Cultural Caravan for Peace’ we want to express our way of non-violent, but effective resistance against intolerance and express solidarity with these people in need – refugees in Mali and neighboring countries’, says Festival in the Desert director Mohamed – Manny – Ansar. ‚We want to show the extremists that they can’t stop music. With the Caravan we can give the artists a change to keep on expressing themselves and motivate others.’ Mamou Daffé, director of Festival on the Niger, adds: ‚We believe that art and culture bring people together and they get inspiration from each other to contribute to the balance of the society.’ Both men, says Jorrit Dijkstra in this article, have a vision to encourage dialogues, cultural exchanges and enhance awareness on environmental issues in the region. With the Caravan they aim to achieve this through music, workshops and art expositions, creating a platform to meet and exchange ideas around the development and perpetuation of cultural heritage.

Read more »