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Glenn Ligon: Coloring Book (2000)

GlennLigon5

 

Glenn Ligon; Coloring Books (2000)

 

 

 

 

 

About the project
Historical consciousness is similarly explored, though perhaps less successfully, in a gallery dedicated to Coloring, a series executed by the artist during a residency at the Walker Art Center in Minneapolis in 2000. Working with local children, Ligon gave them images appropriated from coloring books from the 1960s and 1970s intended for black children, featuring figures such as Malcolm X and Harriet Tubman whose significance presumably would have been immediately understood by the children for whom they were originally intended.
However, Ligon found that these icons were no longer so widely familiar: without an historical awareness of these figures and their roles, the children felt free to depict them in any way they wanted — for instance, a white-faced Malcolm X wearing clownish makeup, enlarged by Ligon to epic proportions (quote HyperAllergic)

GlennLigonFuraha+1+version+1_2000

Furaha1, version1

GlennLigonHarriet+Tubman+1+version+2

Harriet Tubman 1, version 2.

GlennLigonMalcolm+X,+Sun,+Frederick+Douglass,+Boy+With+Bubbles+1+Version+1_2000

Malcolm, X, Sun, Frederick Douglass, Boy With Bubbles 1, Version 1.

Bio
Glenn Ligon (b. 1960) is an artist living and working in New York. Through his work he pursues an incisive exploration of American history, literature, and society across a body of work that builds critically on the legacies of modern painting and more recent conceptual art. He is best known for his text-based paintings, made since the late 1980s, which draw on the writings and speech of diverse figures including Jean Genet, Zora Neale Hurston, Gertrude Stein and Richard Pryor. He received a Bachelor of Arts from Wesleyan University and attended the Whitney Museum Independent Study Program. In 2011 the Whitney Museum of American Art held a mid-career retrospective of Ligon’s work, Glenn Ligon: America, organized by Scott Rothkopf, that traveled nationally. Important recent shows include Glenn Ligon: Encounters and Collisions (2015), a curatorial project organized with Nottingham Contemporary and Tate Liverpool, and Blue Black (2017), an exhibition Ligon curated at the Pulitzer Arts Foundation in St. Louis, inspired by the site-specific Ellsworth Kelly wall. Ligon has also been the subject of solo museum exhibitions at the Camden Arts Centre in London, the Power Plant in Toronto, the Walker Art Center in Minneapolis, and the Studio Museum in Harlem, among others. His work has been included in major international exhibitions, including the Venice Biennale (2015 and 1997), Berlin Biennal (2014), Istanbul Biennal (2011), Documenta XI (2002), and Gwangju Biennale (2000).(text website artist)