Arena for Contemporary African, African-American and Caribbean Art

Igshaan Adams: When Dust Settles



Igshaan Adams: When Dust Settles
October 18, 2018 until January 27, 2019, Iziko Museums, Cape Town





About the exhibition:

In this exhibition, Adams presents a multi-sensory large-scale installation, bringing together aspects of sculpture, textiles, found objects, furniture and performance to create an immersive environment. Revisiting earlier bodies of work, the presentation draws inspiration from conceptual themes, artistic processes and materialities dating back several years, to investigate the evolution of ideas within the artist’s practice.




About: Igshaan Adams
Igshaan Adams was born in 1982 in Cape Town, South Africa. Combining aspects of performance, weaving, sculpture and installation that draw upon his upbringing, his cross-disciplinary practice is an ongoing investigation into hybrid identity, particularly in relation to race and sexuality. Raised by Christian grandparents in a community racially classified as ‘coloured’ under apartheid legislature, he is an observant but liberal Muslim who occupies a precarious place in his religious community because of his homosexuality. As such, the quiet activism of Adams’s work speaks to his experiences of racial, religious and sexual liminality, while breaking with the strong representational convention found in recent South African art. He uses the material and formal iconographies of Islam and ‘coloured’ culture to develop a more equivocal, phenomenological approach towards these concerns and offer a novel, affective view of cultural hybridity. Adams states:

“I am concerned with my two environments: the internal and the external; and the constant exchange of information between the two. As I project myself onto the world, so too do I internalize the world’s projections onto me. Initially I grappled with deconstructing my hybrid identity, focusing on my multicultural, religious and sexual identities in relation to the domestic and political environments in which they were formed, hoping to understanding the conflict I was experiencing. My focus has since shifted to wanting to know more about the self from a multidimensional, universal and mystical position. Doing and undoing, pushing and pulling, employing restraint while at the same time being open to discovering new elements of beauty through playful experimentation, all of this allows me as the artist to insert my personal inquiry into the work. My aim has always been to question and challenge boundaries in a sensitive way.” (Adams, 2017)

To date, Adams has held eight solo exhibitions at blank projects (Cape Town), A Tale of a Tub (Rotterdam), Rongwrong Gallery (Amsterdam), Stevenson Gallery (Cape Town) and AVA Gallery (Cape Town). He has also participated in numerous group shows, both locally and internationally, including In This Imperfect Present Moment (2018) at the Seattle Art Museum, Ravelled Threads (2018) at Sean Kelly Gallery, New York, Da Uno a Dieci (2018) at Galleria Massimo Manini, Brescia, Les jour qui vient (2017) curated by Marie Ann Yemsi at the Galerie des Galeries in Paris, Sacre du Printemps (2015) curated by AA Bronson at the Grazer Kunstverein in Graz and Barriers (2015) at the Wanås Foundation in Knislinge, Sweden. Adams has been selected for a number of artist residencies, among them the Sommerakademie im Zentrum Paul Klee in Bern, Switzerland and the IAAB / Pro Helvetia residency, Basel, Switzerland.
Adams is the 2018 winner of the Standard Bank Young Artist Award for Visual Art. Presented annually, the prestigious award culminates in a solo presentation of the recipient’s work that will conduct a nationwide tour of museums and institutions.
Adams lives and works in Cape Town, South Africa.(Blank Projects)