“Especially the group show in the main building of the Giardini park was of high quality. Because of the selection, but also because of the clever, inspiring installation. All the good things came together there.
Okwui Enwezor did it again. It sounds like an Obama slogan, but this edition will make a difference, especially for contemporary African art.”
“(…) I fight hard to create a space for people who are interested in exploring more contemporary and experimental styles of working. My dream is to create a platform for people who are interested in contemporary ways of making art, in dialogue, in exploring new ways to create and in going out there and performing all these interesting interventions and especially targeting Tanzanians!”
Nothing can quench the insatiable appetite of Eltayeb’s inspired, creative mind, except getting to work, whatever the mode of expression. A falafel chef, a clothing designer, an engineer of recycled furniture, and a good friend to so many, the fetching fellow keeps baring new talents, none of which fail to impress. “My works reflects who I am, my thoughts and experiences, my history and everything around me,” says Eltayeb.
“He makes clear that even the most successful African American men and White Women make good within roles scripted for them by others, in narratives that provide them with few options or real alternatives. Hoop dreams and football fantasies, like suitable marriages, happy households and feminine charms, are constructed ideals, actualized within well-defined social cages, gilded though they may be.”
“One of the aspects that I love about your work is how you use the archive, and time you spending going through the collection. You understand the importance of the visual archive because you want to examine how it reshapes the past. In addition I am interested in how you identify, locate and preserve these photographs and visual narratives. You take the text away from the advertisement in order to bring forward new information. You have this combination of not only locating the actual image, but you are also preserving that image and preserving a memory.”