africanah.org

Arena for Contemporary African, African-American and Caribbean Art

Author: Rob Perrée

text: email text: Personal website

Atta Kwami, Ghana

Atta_KWAMI_Xebubuyi2015

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Marcel Pinas: more than an artist

Marcel Pinas, Totem, 2009.

When he left (the Edna Manly College in) Jamaica, he knew he wanted to support the creativity of young people in particular and give them the opportunity to be self-sufficient. He knew he had to come up with projects that do justice to the Maroon culture. In doing so, he had to involve the population of the region as much as possible.

Rob Perrée writes about the remarkable work of the Surinamese artist Marcel Pinas
First published: April 5, 2022
Totem, 2009

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Michael Tedja

tedjaselfportret
First published: June 14, 2014

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Walter O. Evans: collector of African American art & literature

FROM THE ARCHIVE: March 6, 2021:

If this exhibition was held in the USA, I would first want it to include my Frederick Douglass collection, now housed at the Beinecke Library at Yale University and now available digitally online for all the world to read. I also have several slave narratives in my collection which I would like to see included. I have only one item directly related to the Dutch involvement in slavery which I would have liked to have been included in the current Rijksmuseum exhibition: A Sermon, written by Jacobus Elisa Joannes Capitein, written in 1742, an extremely rare item in the original form.

Walter Evans about the slavery exhibition in the Rijksmuseum, Amsterdam.

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Isan Corinde: Slavery Past

IsanA6

He generally loves stories. He doesn’t read them but he fantasizes about them when he sees something or hears something. His interest in slavery, especially as it occurred in Suriname with the Maroons, was sparked by the stories his grandmother told him.

Rob Perrée about the project Slavery Past by Isan Corinde

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