Arena for Contemporary African, African-American and Caribbean Art

Baseera Khan

KhanAcoustic Sound Blankets, 2017(detail)


Baseera Khan

Sound Blankets, 2017 (detail)






Baseera Khan is a New York-based artist whose work shares experiences of exile and kinship shaped by economic, pop cultural, and political situations. She mixes consumerism with spirituality and treats decolonial histories, practices, and archives as geographies of the future. Khan has installed work at Aspen Museum of Art, Sculpture Center’s In Practice: Another Echo exhibition (2018), Participant Inc’s exhibition iamuslima (2017) that toured to Moudy Gallery at Texas Christian University (2017) and Fine Arts Center of Colorado College (2017-18). She performed at Whitney Museum of Art, Queens Museum, and ArtPop Montreal International Music Festival (2017). Khan was artist in residence at Pioneer Works (2018-19). She completed an artist in residence at Abrons Art Center (2016-17), International Travel Fellowship to Jerusalem/Ramallah through Apexart (2015), and Process Space artist in residence at Lower Manhattan Cultural Council (2015). Khan is an alumni of Skowhegan School of Painting and Sculpture (2014) and is a recipient of NYSCA/NYFA (2018). She is published in Artforum Magazine, Art in America, Bomb Magazine, The Brooklyn Rail, Unbag, and TDR: The Drama Review. She received an M.F.A. at Cornell University (2012) and B.F.A. from the University of North Texas (2005), and is represented by Simone Subal Gallery.

KhanNike ID #1, 2017

Nike ID #1, 2017

KhanNike ID #2,

Nike ID #2, 2018


I Am a Body


I Am as Good as You are

I am a New York-based artist who sees bodies as constantly subject to volatile social environments globally and most notably within capitalist-driven societies such as the United States. Volatility creates a need for me to self-censor and develop secretive environments. My lived experience has me working against being surveilled and othered, I internalize these issues of exile and kinship that are shaped by our economic, pop cultural, and social situations. These life lessons transform into motives of obscurity that lead me to a careful deployment of material and linguistic shifts. The use of fashion, photography, textiles and music, sculpture and performance manifest my native femme Muslim America experience, a legacy for my aesthetic concealment. (text website artist)