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Archive: articles

SLUM-TV in Nairobi

SLUM TV Logo

It all started with a show by Austrian artists at the Alliance Française in Nairobi in March 2006. Drawing from their different perspectives, the artists from Vienna (Barbara Husar, Michael Lampert, Alexander Nikolić and Lukas Pusch), and Sam Hopkins, based in Nairobi met with the residents of Mathare, a slum of 500,000 people in Nairobi. In meeting with the residents, the need for an authentic story highlighting the lives and times of the residents was mooted and slowly developed. After numerous interviews, of the different stories from the different artists’ perspectives, a documentary fusing the different stories was developed. It was, in essence, the very first general test for what would be slum tv and therefore sought to very authentically speak to the real-life stories of the residents of Mathare slums. In the words of SLUM TV co-founders, the vision and values continue to drive our narrative because after all – from it did we arise!!

Taylor Hunkins on Nairobi’s SLUM-TV

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Black Modernism

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Black Modernism was a development that was finding a home for itself in contemporary white culture. Not only did it stimulate wonderful movements like the Harlem Renaissance, it exposed society to black experience and the shortcomings in black rights. As an artistic expression Black Modernism continues to develop and by doing so creates contemporary expression for a new generation.

Christabel Johanson on Black Modernism
Laser Segall, Perfil de Zulmira, 1928.

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Barthélémy Togue

TogueThembaBilongueBadLuck

Toguo is an artist concerned about organic connections in times when human relationships are characterised by what is frail. Instead of making the people of Douala modern day martyrs living in the context of advanced capitalism, he created works that resonate with the rest of Cameroonian society.

Themba Tsotsi writes on the work of Barthélémy Togue
Bilongue: bad luck, 2020. Read more »

Stanislaw Trzebinski

StaniTrzebinski-Stanislaw-Chaotic-Balance-Etched-Brass-and-Epoxy-2018-100x60x

Two artists, each effectively navigating the metamorphosizing artscape in Africa, meet for a tête-a-tête before the Investec Cape Town Art Fair 2020. Artist/art correspondent Zihan Kassam looks at the philosophy behind Stanislaw Trzebinski’s imaginative bronze sculptures and asks about his new life living in South Africa.

Chaotic Balance Woman, Etched Brass and Epoxy, 2018, Edition 3, 100 x 70 cm

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Wallen Mapondera

MapsTuck Shop 4. 2019

In this exhibition, Mapondera, who is known for his paintings on canvas and the trademark installations of tapestries weaved out of cardboard, went beyond his orthodox creative style to work with wood and metal, as well as to incorporate sound. Thus, the work appeals to more senses beyond the visual. This body of three-dimensional works is a narrative of Zimbabweans’ survival strategies or their coping mechanisms in the face of the endless hardships

Barnabas Ticha Muvhuti on recent work of Wallen Mapondera from Zimbabwe

Tuck Shop 4, 2019

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