africanah.org

Arena for Contemporary African, African-American and Caribbean Art

Archive: articles

Jean David Nkot

Nkot12www.jeux_enjeux.com2020

My work used to focus on migration. However, it was a way to depict the human condition. Thus, it is not all about migration but more about the human condition. For me, the human condition gathers the inequalities existing between individuals. This notion also includes the way they consider each other. For a year now, my work has been exploring the topic of raw materials to depict this human condition

Cameroonian artist Jean David Nkot shares his creative process with Mukanzi Cynthia
www.jeuxenjeux.com, 2020, Courtesy Afikaris Gallery

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Ronald Odur

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So I think it’s very right for artists to engage in politics in their work just like they deal with other issues in their society, it’s still their mandate. At the end of the day, politics affects everyone, if there is a rise in sugar prices, I don’t know if artists don’t take tea or don’t use sugar. If there is insecurity in the country, the artists won’t even create, so we have to talk about these issues so that there is a change.

Matt Kayem interviews Ronald Odur

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Jelili Atiku: Performance Artist & Activist

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To those who aspire to performance in Africa, I would like to tell them that it’s not new. Performance has been our ancient practice for a longer time. Just do it because it’s in our DNA. For those who are not Africans, they need to accept that it’s the purest artistic form. It has no divine methods, rules and regulations. Everything depends on you and you decide how you want the audience to see you. If you choose to use your body as a material, believe that it’s meaningful and very important.

Thadde Tewa in conversation with Jelili Atiku
Red Day (detail), 2017 (see note 1)

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Medard Bizimana

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Medard Bizimana is considered one of the most important Rwandan sculptors, who exhibited widely. His sculptures are part of permanent Museum collections in Rwanda, Nepal, Gabon and in public spaces in China’s cities. Article presents his progress from his early works during the challenging times in Rwanda up to now when the Rwanda Art Museum in Kigali hosted his solo exhibition curated by Vivaldi Ngenzi and Ilija Gubic.

Ilija Gubic writes about the Rwandan sculptor Medard Bizimana.

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Teesa Bahana, director of 32° East Ugandan Arts Trust

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What does it mean to live a full life? What does it mean to have beauty in the world? What does it mean to live in a society that in many ways can be quite repressive as well? But we don’t have avenues to address that and art is one of those few places we do, although sometimes we have to self-censor and not be so obvious, but it’s an outlet. On an individual level, people being able to deal with their mental health, their emotions, all of these things, that’s one thing.

Matt Kayem in conversation with Teesa Bahana, director of 32° East Ugandan Arts Trust

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