Nitegeka work is stylised and self-referential, he creates exhibitions in which space becomes political through its very structure.
Author: Themba Tsotsi
Mawande Ka Zenzile
I want you to talk about your main and artistic modality, and what you see to be the symbolic and literal place you as an artist occupy, in both the western context and in your African context.
Themba Tsotsi in conversation with Mawande Ka Zenzile from South Africa
Kresiah Mukwazhi: Strapped with Power
The exhibition discoursed the theme of powerlessness through the stories of a sex worker who became a prophetess, Madzimai Catherine in the Nyenyedzi Nomwe Apostolic Church. Mukwazhi sought to subvert the traditional power relations imposed on women’s bodies by patriarchal structures.
Themba Tsotsi on the Zimbabwean artist Kresiah Mukwazhi
Chakatanga ndicho chakachenjedza, 2021, detail.
Lisolomzi Pikoli
The figures in the exhibition were expressed in a way that concretized their historic circumstances as black bodies. Being immersed in a space that welcomes their lack of navigating their bodies in a culture that makes what is visual pedagogic.
Themba Tsotsi on the South African artist Lisolomzi Pikoli.
Rhizomes, 2020
Musa N. Nxumalo: Hashtags as Signpost of Power
Nxumalo’s exhibition was an exercise in how the black male body seeks to find a form of redemption in a culture that is gluttonous with representation and its capability to take voice and power from its subject.