
A Bakaïmo makes you at home in the bliss and intimacy of figures that would ordinarily have jarred or repelled. Even when he shows violence, it doesn’t repel or revulse.
A Bakaïmo makes you at home in the bliss and intimacy of figures that would ordinarily have jarred or repelled. Even when he shows violence, it doesn’t repel or revulse.
We were having problems with art galleries, which were making it hard for artists to showcase their work. People who have been in the art industry longer were controlling the space in a way that locked artists out saying that you had to be in the industry for a certain number of years for you to showcase; because they had it tough coming up the ladder in their days and so they wanted younger artists to taste that struggle. That’s absurd.
Lunar – an exhibition in Paramaribo, Suriname – wanted to show the entanglement of peoples with different ethnical, cultural, and religious backgrounds.
While the fair 1-54 gave a stage to contemporary African art, works by other black artists were on display in several other locations in London.
“We use Afrosurrealism as a visual framework, drawing on mythology and symbolism, as well as our personal experiences as artists, to present new ways to imagine spiritual identity.”