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Archive: articles

The Watermelon Woman: A Retrospective Look at Black Issues

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Perhaps this is the most relevant discourse for black audiences today who may feel distrustful towards white media for under and misrepresenting them, but also overwhelmed by the pressures and stereotypes of what it means to be black. Just as Cheryl found a role model in Fae, perhaps people of color can also find a role model in Cheryl. There is a lesson to be taken in her fun, cheeky, open-heartedness and the way in which she learns that ownership and identity is not just a matter of birth but also a case of discovering oneself and enjoying the process.

Christabel Samuel on the relevance of the 20 year old black movie The Watermelon Woman for black audiences today.

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Afriques Capitales: contemporary African art in Paris

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Another exhibition on contemporary African art of Simon Njami. He is known as the curator of Africa Remix (2005), the first African Art Fair (2008) in Johannesburg, The Divine Comedy (2014) in Frankfurt and the Dak’Art of last year in Senegal.

Rob Perrée reports from Paris.

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Mwini Mutuku: Questions and Conversation

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Mutuku likes to explore new approaches in his art practice, particularly the integration of organic and man-made materials with new digital and technological processes – for the artist “any medium can be art.” Interrogating ‘what can be art’ and ‘what art can be’ is central to Mutuku’s outlook. He says “if we stay stagnant in what has already been accepted in art then we come to a point where art can die…you need to ask yourself, are you really commenting on the time that you are living in.”

Craig Halliday on Mwini Mutuku.
Visceral, Red Vinyl on Mirror, detail.

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Overtime: The Other Exhibition: a conversation with curators and artists

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We should start talking about black people as creators of their own knowledge instead of mere subjects. We should not only speak about different kinds of knowledge productions but also about different kinds of experiences. We are still in the moment that we haven’t achieved it.

Lih-Lan Wong in conversation with curators Tatenda Magaisa and Katleho Shoro and participant Matshelane Xhakaza

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Othello De’Souza-Hartley

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“My main sources of inspiration have come firstly from paintings. I admire painters like Rembrandt. Caravaggio and Jean-Michel Basquiat are my favourites. I am attracted to Caravaggio’s use of light and mood in some of his paintings. His paintings are very dramatic and therefore I like to take influence from his work.”

Christabel Samuel interviews Othello De’Souza-Hartley.
The Masculinity Project.

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